惊魂记

简介：Adela是一名充满同情心的罪犯辩护人，一直坚信人性本善，罪恶的是社会。然而她最近的辩护被告偷了她的车，在车内找到了她乡村别墅的钥匙并计划了一次盗窃。不幸的是丈夫在这次入室盗窃中意外身亡。这让她陷入理想与现实的纠结痛苦中，殊不知噩梦才刚刚开始……

简介：影片是根据1969年震惊全美的曼森家族杀人案改编，这个杀人案的被害人是当时著名的好莱坞女星莎朗·塔特和她的4位好友。1969年的8月9日，因为丈夫罗曼·波兰斯基远在欧洲拍片，已有8个月身孕的莎朗邀请4位朋友到自己比弗利山庄的豪宅度周末，这本该是个快乐的周末。结果，塔特怀孕8个月的胎儿随母亲被活生生地勒死；4位在她家度周末的朋友也难逃一劫，更残忍的是，他们都死得血肉模糊，面目全非；豪宅鲜血淋淋；快乐周末骤眼间变成了死亡周末。

简介：

Two best friends and roommates are terrified by the vengeful spirits dwelling in their apartment. Based on the novel published by Kobunsha and written by Kamon Nanami.

简介：

在一个名为瑞弗顿的小镇，曾出现过令人闻风丧胆的开膛手。他的真实身份是一个名叫亚伯尔·普林科夫（Raúl Esparza 饰）的普通男子，开膛手似乎是他一个隐藏的人格，又像是潜藏在他体内的罪恶的幽灵。某晚，亚伯尔失心发狂，杀害了待产的妻子。他则被赶来的警察射上，却在回警局的路上引发事故，从此下落不明。与此同时，小镇医院内降生了7名早产儿。 　　16年过去，当年的7名婴儿成为了好朋友。他们将生日定为开膛手日，每年的这一天都举行奇怪的庆祝仪式，期望借此远离开膛手的梦魇。但是这一年，开膛手亚伯似乎真地回到了瑞弗顿，并将目标锁定在这7个孩子身上……

简介：Mike and Angie Jones are determined to keep their seven-year-old daughter, Sophie, out of a demon’s hands.They will do everything in their power to make her safe and to bring an end to the turmoil the demon is causing their family…

简介：811 AD, a family, isolated in their home, deep in the woods a few days travel from Birka. They are poor. The hunting and fishing has been bad for some time, and the father, Joar, takes the desperate measure of going on a Viking raid. Joar does not return for a long time, and the family starts to fear he never will. Runa, the oldest daughter, takes over her fathers chores in his absence. She misses him dearly and nourishes a tender hope that he, once again, will return to them. But in her heart, somehow she knows, that the suffering of the family has just begun. There is something in the air, something in the water, the wind and in the soil. Runa is becoming aware of something vile, something dangerous out in the forest. One day when she is out hunting, she finds a bleeding man, a warrior, almost unconscious. She brings him inside and the family tend to his wounds. As he heals, she realizes he is sent to protect the family from an approaching evil. And he brings news of her father.

简介：封闭守旧的美国小镇闯进了一个神秘女子格蕾斯（妮可•基德曼 Nicole Kidman  饰）。她美丽善良，正在逃避歹徒追杀。镇中的作家汤姆力劝村民留下这个女子，让她暂时在镇里避过难关。然而条件就是格蕾丝要干各种农活来偿还。人们同意了，不久后却发现格蕾丝是一个通缉中的逃犯。大家要把格蕾丝赶走，最后答应，如果她更卖力的干活，才可以在这里逗留。　　格蕾丝日以继夜的劳作，终难逃过不幸的事情发生。一个镇民在警察搜捕后，强暴了格蕾丝。龌龊的事情拉开了序幕：人们开始随意的污辱她，甚至连汤姆，也揭开了善良的面具，格蕾斯沦为镇上的一条狗，干活，受罪，善良的心也有了渐渐的改变。镇上的人怎么也想不到，这个女子的神秘身世，让此刻的污辱成为了他日的灭顶之灾。

简介：《去死吧！啦啦隊》美國導演克里斯席維森重返金馬奇幻影展的新作《愛的怪物論》，邀來《阿達一族》超酷女孩「星期三」克莉絲汀蕾琪領銜主演，當年鬼靈精怪的少女成了飽受風霜的單親媽媽，帶著兒子遠赴邊陲小鎮重新開始，原以為新生活就要展開，沒想到這次不僅要面對自己的心魔，還要挺身抵抗真正的「怪物」。影片巧妙致敬《迷魂記》與《剃刀邊緣》，更被美國影評譽為對怪物類型電影做出全新的演繹。

简介：Jerry Harford认为老婆背着自己外遇，他最好的朋友鼓励他以眼还眼，但却导致不堪的恐怖后果。Jerry开始陷入一个没有终点的超自然恶梦，好似暗黑版的《致命的吸引力》（Fatal Attraction）。

简介：《緣滿情人節》　　艾莉絲姬迪娜 Alexis Kendra　　脫衣舞孃　分手神傷　　精神恍惚　只剩肉體　　一生所愛被人佔有　　妒嫉心完全爆發　　究竟這是妄想　還是真實？　　除了不讓別人得到你　　要讓更多的人嚐過我　　愈墮落　真的愈快樂？　　心神恍惚的脫衣舞女郎，因被男友甩了，跌落悲痛的旋渦。百仁是維納斯的一生所愛，單是幻想他和別的女人發生關係，就讓她墮進性瘋狂的深淵，永不超生。同為編劇的艾莉絲姬迪娜，於這情色驚悚片中飾演維納斯。電影性感得讓人熱血沸騰又觸目驚心，尤如拜仁狄帕瑪　　和波蘭斯基非常風格化的作品。

简介：一对姊妹凯特（琪兰席普卡 饰）和萝丝（露西波顿 饰）就读的贵族高中开始放寒假，奇异的是她们的父母却不知何故无法前去接她们，姊妹俩因此被困在疑云密佈的校园异空间，并且在孤立的学校发现毛骨悚然的怪事一件接一件发生……另一方面，心事重重的年轻女人琼（艾玛罗伯兹 饰）为了一个祕密，必须尽快赶到这所学校。当琼接近学校时，凯特遭受到恐怖幻象折磨，萝丝的神智也濒临失守，但是为了脱离邪恶意志的掌握，三人必须通力合作……

简介：Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007　　Author TimothyFarrell from Worcester, MA　　Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)　　-from imdb